423 recipes. Page 8 of 18
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Black sesame paste is stirred into a dark chocolate batter for these dense, fudgy brownies, and its nutty flavor stays on well after the chocolate. The paste goes in only once the eggs are fully mixed, so it spreads through the batter instead of clumping in one spot.
Mozzarella goes over rice cooked with butter-sautéed corn, the lid goes back on, and the heat of resting melts it so it stretches in long strands when you lift the paddle. A little milk in the cooking liquid makes the rice soft and creamy, and the corn kernels pop as you bite.
King oyster mushrooms stay firm and chewy even when cooked, enough to stand in for meat on the plate. A shallow crosshatch on the long cut faces gives the butter soy sauce somewhere to cling as it thickens. Wipe the mushrooms with a damp paper towel instead of washing them.
Mala sauce, the numbing, chili-hot seasoning of Sichuan cooking, gets wrapped in cream, milk and Parmigiano, so the tingle stays but the burn is gentler. Chicken thigh is browned hard before the mala sauce is stirred in, so the meat picks up the spice before the cream does. Mala sauces differ a lot in saltiness from brand to brand, so the recipe starts with 1 tablespoon and leaves final seasoning until the cream is in. Pasta water, added a little at a time, keeps the cream sauce from splitting, and when it is right the sauce no longer pools in the pan but sits in the spirals of the fusilli.
Marsala wine brings a nutty, slightly sweet depth that, together with browned mushrooms, carries this pan sauce, and a little cream rounds it off. The flour on the pounded chicken does more than coat it: it leaves browned bits in the skillet that the Marsala lifts into the sauce. Once the cream goes in, hard boiling will split it.
Each piece stands cut side up in a muffin tin, so a dark spiral of black sesame shows across the top. There is no croissant-style lamination: an enriched yeast dough kneaded with butter is spread with sesame paste and honey, rolled up and sliced.
Ketchup rice, fried in butter with ham, vegetables and peas, is folded inside an egg still moist in the middle, using the curve of the pan. Cut into, the half-set egg runs over the rice, and the peas show up as flecks of green.
King oyster mushrooms sliced 0.7 cm thick lengthwise are laid in butter in a single layer and browned on both sides, and only then does the soy glaze go in around the edge of the pan to reduce for about a minute. Finished with green onion and sesame, the salty butter-soy flavor works next to rice or with drinks.
Japanese-style cream pasta uses mentaiko, salted pollock roe, in two ways: two thirds melts into the butter and cream sauce, and the rest goes on top raw with crumbled roasted seaweed. A teaspoon of lemon juice at the end lightens the cream. The roe is stirred in with the burner off or barely on. Over strong heat it turns fishy.
Almost all of the red color and aroma in this Hungarian stew comes from 2 tbsp of sweet paprika. The spice is stirred in only after the onion has turned soft and sweet and the heat is down low, because paprika scorches fast and turns bitter over strong heat. Tomato adds the acidity that cuts through rich chicken thighs. Sour cream, stirred in a little at a time over very gentle heat so it does not split, turns the sauce a softer orange with a mild tang. It is traditionally ladled over wide egg noodles or spaetzle.
A generous amount of black sesame paste bakes the loaf a deep grey-brown, and while it is in the oven the kitchen smells of toasting sesame. Only a little baking powder goes in, so it rises modestly and the crumb stays tight. The sesame flavor deepens if you wait until the next day to eat it.
Warm stock steeped with saffron goes in a ladle at a time, turning the rice yellow as it cooks. Off the heat, cold butter and Parmigiano are beaten in quickly, and the risotto is done while it is still loose enough to spread slowly on the plate.
Doenjang, Korean fermented soybean paste, is stirred into melted unsalted butter with garlic and lemon juice, brushed over large shrimp and grilled in a very hot grill pan. The paste already brings plenty of salt, which is why the butter is unsalted and any extra salt waits until the cooked shrimp have been tasted.
Mushrooms brown over high heat, while the truffle oil is added only after the burner is off, at the very last stir. Each aroma is handled at its own temperature because heat flattens truffle oil. Well-drained gnocchi matter too: water clinging to them thins the cream sauce.
Lemon juice and briny capers cut through a butter pan sauce, giving thin chicken cutlets a bright, sharp finish. The base of that sauce is the browned layer left in the skillet; white wine loosens it so none of that flavor is wasted. The lemon juice is added off the heat, because boiling dulls its fresh aroma. Cold butter swirled in at the very end emulsifies the sauce so it clings to the light flour coating instead of pooling. Mashed potatoes or pasta make good company for the extra sauce.
Split one by hand while it is still warm and a strong roasted sesame smell rises from the grey crumb. Black sesame powder is mixed into the flour, and the dough is brought together with cream and egg instead of milk, then pressed into a 2.5cm round without kneading.
The rice takes seafood stock a ladle at a time, and saffron soaked in a couple of spoonfuls of that stock goes in partway through to turn it yellow. Shrimp and squid wait until the rice is nearly done and come off the heat before they curl up tight.
A heavy pan holds a 1 cm layer of coarse salt, 300 g of it, heated under the lid before the shell-on shrimp go on top and the lid closes again. Melted butter is brushed onto the shells only after the shrimp have steamed through and been lifted off the salt, and the used salt is thrown out.
Myeongran lemon cream fettuccine wraps wide pasta ribbons in a sauce made from salted pollock roe, heavy cream, butter, and lemon zest. The small eggs of the roe are left intact and stirred into the sauce off the heat so they stay soft and burst with briny flavor when bitten rather than turning granular or hard. Garlic bloomed in butter forms the aromatic base, and a mixture of heavy cream with milk tempers the roe's saltiness into a smooth, balanced coating. Using lemon zest rather than juice adds a bright citrus fragrance without diluting the sauce or introducing acidity that would curdle the cream. Parmigiano-Reggiano deepens the savory foundation, and fettuccine's broad, flat surface holds the thick cream more effectively than thinner pasta shapes. The entire dish takes about twenty minutes from start to plate, making it a practical weeknight option that does not sacrifice depth of flavor for speed. The critical technique -- incorporating the roe off the heat -- keeps the texture creamy throughout and prevents the eggs from cooking into tough, unpleasant morsels.
Sage leaves and prosciutto pressed onto thin chicken cutlets turn crisp as they cook, the sage almost frying in the ham's fat. The Italian name roughly means it jumps into the mouth. Flour goes only on the bare side, giving it a light crust while the prosciutto side browns directly. A quick wine and stock reduction finished with cold butter turns glossy and softens the salty edge of the ham. Pounding the meat to about 1 cm keeps thin spots from drying out.
Brown sugar and cinnamon are scattered over buttered dough before it is rolled, and in the oven the sugar melts with the butter into a dark, sticky layer along every turn. The top gets softened cream cheese instead of a sugar glaze, spread after the rolls have cooled for about five minutes so it softens and spreads easily over the warm surface.
With 180 g of king oyster and shiitake mushrooms to 200 g of beef, there is nearly as much mushroom as meat in every bite. The mushrooms are wiped clean rather than washed, added to beef already browned in butter, and stir-fried hard until they wilt before soy sauce goes in around the edge of the pan.
Chuck flap is so well marbled that coarse salt, pepper and a quick, hard sear are all it takes, and it stays juicy. While the steak rests, asparagus goes into the same pan and picks up the beef fat and butter left behind.
Napolitan grew out of postwar Japan, when ketchup and Vienna sausages were easier to find than pricier ingredients, and it still tastes like retro home cooking. The ketchup is fried in the pan before the noodles join it, cooking off its water so the raw tang turns into concentrated tomato sweetness, with Worcestershire adding a fermented, savory layer. Sausage browns first, until its edges color and the pan smells of it. The onion and green pepper get only a quick blast of high heat so they stay crisp, and a knob of butter at the end softens the ketchup's tang into a sweet, salty gloss.