1421 recipes. Page 52 of 60
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Doenjang mixed with honey and lemon juice coats the rich salmon in something salty, sweet and faintly tart. A third of the glaze is set aside before any of it touches the fish, then spread on thinly with a clean spoon once the fillets are turned.
The flavor of this broth comes from the innards packed in the crab's top shell. That is why the shells go into the pot with the radish before the bodies, so the innards can be stirred loose into the gochujang broth. It sits on a tabletop burner, and as it cooks down, a little water goes in so everyone can keep eating to the bottom.
Pollock roe is loosened with egg and water, spread thinly over slabs of firm tofu, and steamed until it sets like a soft savory custard. Firm tofu holds its shape in the steamer, and pressing out only the excess water, leaving the surface moist, keeps the slabs from cracking. Green onion and red chili go on near the end so their color stays bright.
Seaweed stems are thick and springy and crunch audibly when you bite them. Salted stems vary a lot by brand, so after soaking, taste one strand and rinse again in fresh water if it is still too salty.
Once the salmon is flipped, butter melts in the pan, and with the pan tilted it is spooned over the fillets again and again. The gochujang, soy and honey glaze gets a second thin coat in the final minute for shine.
Cod and pollock are soft-fleshed fish, so once the pieces are in the pot they are never turned; the spicy broth is just spooned over them. That is how the pieces stay whole all the way to the table. Swap in clams or shrimp and it becomes a seafood maeuntang.
A whole cured brisket simmers for hours in plain water, and potatoes, carrots, turnips and cabbage join only for the last stretch. Buy raw corned beef meant for cooking, not canned meat or deli slices. Because curing keeps the meat pink even when done, color tells you nothing, and reaching the safe temperature does not mean the connective tissue has softened. The brisket is ready when a fork slides in easily. No salt or stock goes into the pot, because the beef seasons its own water, and brands differ enough that the broth needs tasting before it reaches the table.
Where most seaweed stem stir-fries finish with sesame oil, this one is cooked in perilla oil and coated in plenty of ground perilla seed, which pushes the nutty flavor right to the front. The salted stems soak in cold water for at least 15 minutes to draw out salt, but leave them much longer and the taste of the sea goes too.
The lotus root is cut 0.7 cm thick and browned in a pan first; the soy and rice-syrup glaze only goes on for the last minute or two. It is far crunchier than Korean braised lotus root, which simmers in soy for a long time. Once cool, the glaze that has run into the holes sets and stops being sticky.
The wide Chinese glass noodles need about two hours in lukewarm water and should be put to soak well before any cooking starts. Mala sauces vary in salt and oil from brand to brand; stir some into the beef-bone broth first and taste before deciding whether to add more.
Hollowed cucumber sections are packed with a filling of ground chicken, tofu, and carrot, then steamed upright so each piece has a crisp green shell around a soft, juicy center. Seasoning stays minimal, just soy sauce, garlic, and sesame oil, and steaming without oil keeps much of the cucumber's fresh aroma. Seon is a style of stuffed, steamed dish from Korean court cooking, and a little mustard sauce or vinegared soy alongside adds a sharp note.
Snappy seaweed stems and springy shrimp end up in the same bite. Soup soy sauce is the only seasoning, with the rest of the salt coming from what is left in the stems, and the ground perilla seed is scattered over right after the heat goes off.
There is no chili flake or gochujang anywhere in this pot. Big dumplings cook in a clear anchovy and kelp stock flavored by shiitake, oyster mushrooms and napa cabbage, and any seasoning still needed at the end comes from salt alone so the broth stays pale. Some people finish the leftover broth with a scoop of rice.
Thick-cut onion and green onion line the pot so the squid sits above the bottom while a gochujang and chili-flake sauce steams it from the top. Gochujang gives a thick heat that clings to each piece, and the flakes add a sharper spiciness over it. Compared with stir-fried squid, there is no oil, and the moisture the vegetables release loosens the sauce enough to spoon over rice. Because squid toughens quickly, the whole cook stays around ten minutes, ending when the flesh turns opaque and the edges curl slightly. Cutting the vegetables thick and spreading the squid out without overlapping pieces is what lets both finish properly in that short window.
Pork shoulder is browned until its fat runs, then seaweed stems join it for a quick toss. The roasted taste of the pork mixes with a smell of the sea, and the stems keep their snap.
Store-bought frozen dumplings go straight into boiling anchovy stock without thawing, and in about five minutes they float. Many Korean families make this instead of tteokguk at Lunar New Year, and adding rice cakes turns it into tteok-manduguk.
Radish and squid cook at very different speeds, so the radish half-moons simmer in soy broth until nearly tender before the squid rings go in for a brief final braise. Chili flakes and gochujang give a clean, peppery heat, while the radish softens it with its own sweetness. What's left in the pan is a small amount of thick, spicy sauce that tastes of both squid and radish, good spooned over rice.
Covered and cooked in a little soy-seasoned water, the radish strands turn translucent and bend easily around a chopstick. Made with winter radish, the dish comes out noticeably sweeter.
Pieces of catfish simmer in a gochujang broth, and thin pinches of flour dough go in partway through, so fish and sujebi dumplings come out of the same pot. Before cutting, the catfish is rubbed well with salt to strip off its slippery coating, which otherwise leaves a muddy taste in the broth.
Squid bodies are packed with a filling of glass noodles, ground pork and the chopped tentacles, steamed, then left to cool a little before being cut into thick rounds. Each slice shows a white ring of squid around a dense mosaic of noodles, chives and carrot.
Stir-fried in perilla oil, julienned radish loses its raw, peppery sharpness and turns gently sweet. It is one of the basic namul, used for bibimbap and set out on Korean ancestral-rite tables.
Butterbur stems are peeled, blanched and left to soak in cold water for a good while to draw out their acrid edge. Ground perilla seed with a little glutinous rice flour makes the broth thick enough to cling to a spoon, and the thick-cut stems and king oyster mushrooms give it something to chew.
Thick slices of ojingeo sundae (squid stuffed with noodles and vegetables) are braised in a gochujang sauce until a thin, glossy red coat clings to each cut face. Rather than flipping the slices, spoon the sauce over them so the filling stays put; some cooks add tteokbokki rice cakes to the pan as well.
The octopus is already boiled, so the pan only has to warm it through and coat it in gochujang sauce. The heat goes off the moment it starts to visibly shrink, and the onion and carrot are left a little underdone so they keep some crunch.